The tenth in Canongate’s series on myths, this one being modelled loosely on the story of Prometheus stealing fire from Zeus and giving it to mortals, but there any proper connection to mythology ends and the satire begins. A cynical Canadian researcher in a ransacked museum in war-torn Iraq stumbles upon a hidden manuscript written by a man who knew Jesus, and a sudden lust for fame and money drives him to publish it as The Fifth Gospel, go on an American book tour and risk the wrath of Christians, Arabs, homocidal maniacs and Amazon reviewers alike. Wickedly funny for the most part, with Faber sharing exactly the kind of vicious, ascerbic humour of fellow Dutch author Cees Nooteboom. Faber must have had a very good time writing this.
Roy Lewis, What We Did to Father, 1960
~ aka. The Evolution Man and The Evolution Man or How I Ate My Father. ~
Terry Pratchett describes this as “one of the funniest books of the last 500,000 years” – it’s difficult to categorise, although it feels like good science fiction and was one of the first novels Brian Aldiss chose to start the Penguin SF list. Lewis was working as The Economist‘s Commonwealth Affairs correspondent in Africa when he got the idea for The Evolution Man, partially from observing the dismantling of British colonial rule there and also from reflecting on the aeons of history that lay beneath the current political goings-on. It’s a single primitive Pleistocene hominid, Edward, whose family only recently came down from the trees, who seems to have figured out most of the essentials that make up civilised existence – fire, weapons, cooking, animal domestication, exogamy – making the Rift Valley the true cradle of early civilisation many thousands of years before Mesopotamia. I particularly like the way Lewis leads the reader towards each of Edward’s discoveries, usually being a consequence of the misuse of the previous discovery, so the novel therefore gets consistently more cohesive the further in you get, and once you get Edward’s prehistoric world-view as he tries to give his family the best opportunities in life, his tone of voice and manner become very palpable. I certainly liked Lewis’s sense of humour – whether a reader would still find it laugh-out-loud probably depends on their personal disposition because it’s certainly of the wry and knowing type (a bit like Edward himself) and cleverly situational, and you can sense Lewis’s smirk as he wrote it on almost every page. I found the thread of humour sometimes became buried beneath a little too much scene-setting, particularly early on, but a second reading would probably unearth a few more literate gags that I missed the first time around. Certainly a fun read from cover to cover, and one that hasn’t dated too badly at all.
Julian Barnes, The Porcupine, 1992
A fictional satire of the fall of Communism in an unnamed East European country, loosely based on the trial of former Bulgarian Communist president Todor Zhivkov. Bulgarians are suspicious of Westerners writing about their country but The Porcupine turned out to be a bestseller there. It also became a minor footnote to Communist Bulgarian history when Zhivkov himself requested a copy to read while under house arrest; also, his prosecutor Krasimir Zhekov later identified with the persona of the book’s fictional prosecutor Peter Solinsky when he later introduced himself to Barnes, declaring “I am Peter Solinsky.” This is the first Julian Barnes I’ve read and I wasn’t prepared for just how memorably good a book this is. It’s relentlessly cynical, angry, funny and sharply observed, and it cleverly blurs any easy distinctions the reader can make between what constitutes either good or bad ideological politics. Barnes puts across a vital, incipient energy very easily in the first few pages and then carries it through right to the aftermath. A very well crafted book indeed, I recommend this unreservedly if only because it’s vastly more entertaining that its subject matter might suggest.


